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So girl, leave your boots by the bed / We ain't leaving this room / Till someone needs medical help / Or the magnolias bloom / It's cold in this house and I ain't going out to chop wood / So cover me up and know you're enough / To use me for good. Riley Green, 'I Wish Grandpas Never Died' →Ī heart on the run keeps a hand on the gun / You can't trust anyone / I was so sure what I needed was more / Tried to shoot out the sun / Days when we raged, we flew off the page / Such damage was done / But I made it through, 'cause somebody knew / I was meant for someone. The Cadillac Three, Hard Out Here for a Country Boy → See more Taste of Country RISERS performances: Watch Morgan Wallen sing Whiskey Glasses → The Taste of Country #RISER totally nails it with this #acoustic performance. #MorganWallen's cover of #JasonIsbell's song #CoverMeUp will show you a side of Morgan you've never seen before. Walking back down the alley, feeling so much betterĬause she was standing in the kitchen, her face turned towards the ceiling I don't know how long I stood there, but it felt like many lifetimes Her eyes were closed, but still they held the lightĪnd from a battered guitar came a sound like angels weepingįor all those restless spirits in the night She was standing in the kitchen, her face turned towards the ceiling Without really thinking, I walked up to the window When I heard this music coming through the screen by the Original Artwork and Illustrations of Keith Neltner at Neltner Small Batchįor reasons that don't matter, I was walking down the alley Jason Boland & The Stragglers - Restless Spirits (Official Music Video)ĭirector/Editor/Animator: Aaron Caleb Eisenberg Anneliese Salgado Artist: David Niemczyk Look out above that ain't the moon shining through the trees Turned his eyes towards the skies for more of the same Out on the skirts I tried to give my gelding reins They said it could be Sirius, but the sun would rise again Riding back through town I stopped and told the three wise men Whoa my love, I saw the light, but more importantly, the light saw me. Look out above, that ain't the moon shining through the trees
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That's where they found me one dark and fateful nightĭown by the water's edge, my kerosene lamp glowĪ sack full of pan fish, and I's about to go There's a place round here where the fish will always bite Jennings, yes you are.Jason Boland & The Stragglers - The Light Saw Me (Official Music Video) I’m a motherf$cking gunslinger.” Yes, Mr. As Jennings himself sings, “Don’t call me an outlaw. The entire corner of Sunset & Larrabee found themselves belting out the songs in unison with one of the hardest working souls in country music today.
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By the time these guys left the stage, the 250 body room capacity was probably a few people over, in anticipation of Jennings.Īlong with his well-oiled band consisting of Jamie Douglass on drums, Aubrey Richmond on violin, Ted Russell Kamp on bass and John Schreffler on lead guitar, Jennings took us on an unforgettable ride.įrom his audience standing in silent awe of the creative compositions to his hard driving jam, “Steady at the Wheel,” fan fists were flying high. With frontman, Leroy Virgil, growling his own whiskeyladen lyrics, his band throws unapologetic rhythms in your face like it’s a mud fight. Opening for Jennings was Hellbound Glory. Having seen Jennings perform about a year prior with his mother, Jessi Colter, and outlaw artist Jamey Johnson at a downtown spot, I knew this show would be completely different, and in this venue, anything could happen. As a long time local, I’ve seen some epic shows here, and was just as excited about this one. The Viper room is the type of joint on the Sunset Strip with its own praiseworthy history.
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Resembling Robert Duvall’s character in the movie The Apostle, Jennings was adorned in a crisp, white suit and heavily shaded aviators as he delivered a fusion of music that represented both the time he grew up in and the legacy of the outlaw country parents he was born under. On Saturday night, on the infamous stage at the Viper Room, Shooter Jennings burned his trademark brand of blue collar riffs with the groovy, synthesized sounds typically associated with ’70s Disco icons like Donna Summer or Blondie.